Saturday, 10 December 2011

MICROBLOG #2 - HIGHLY RECOMMENDED: "Murrain" by Nigel Kneale


A Derbyshire vet visits a remote farming village where an unexplained livestock disease, a mysteriously interrupted water supply and sundry local aggravations are being blamed on a lonely old woman living in a tumbledown farm, whom the villagers suspect is a witch. When the vet, who's appalled by the irrational prejudice he encounters, pays a visit to the old woman, both his compassion and his rationality are put to the test...

“Murrain” (an archaic term for plague or blight) is a challenging, intelligent, atmospheric made-for-TV drama by Nigel Kneale, about the inexorable spread of irrational fear in a small rural community. It has a few minor problems - some stiff acting in its first fifteen minutes, and the same tendency to shoutiness that also marred Kneale's The Stone Tape - but these are negligible. Written with an open mind, and a willingness to confront both the dangers of superstition and the arrogance of modernity, it's a gripping example of the kind of thought-provoking drama that used to turn up, virtually unheralded, on British television in the 1970s. It was commissioned by ATV (Associated Television, a Midlands-based company with studios in Birmingham and Elstree), and played various ITV regions in 1975 as one of a handful of dramas under the umbrella title “Against the Crowd” (other episodes were written by Fay Weldon, Kingsley Amis, and one of the best scriptwriters for The Avengers, Roger Marshall).

Among the cast, Bernard Lee (a far cry from his signature role as ‘M’ in the early Bond films) is imposing and aggressive as one of the witch-hunting ringleaders, but the real revelation is Una Brandon-Jones as Mrs. Clempson, the old lady whose deeply unhappy personal life has brought her nothing but rejection and hostility from the villagers. Ms. Brandon-Jones pops up in a number of better known films and TV shows (a small part as a farmer's wife in Withnail & I; a supervisor in Mike Leigh's Bleak Moments; a role in the wonderful Hammer House of Horror episode “The House That Bled to Death”) but it's a shame “Murrain” is so little known because this is her chance to really shine. She makes Mrs. Clempson simultaneously pathetic, tragic, mysterious and frightening - it really is a stand-out performance. Doctor Who fans will also enjoy spotting David Simeon as the vet - fresh from playing Alistair Fergus, unctuous TV host of ‘The Passing Parade’ in the classic Pertwee-era story “The Daemons”.

“Murrain” is available as a DVD ‘extra’ with the Nigel Kneale TV series “Beasts” from Network, and is now very cheap to buy at Amazon (under £10). Definitely a good one for spooking friends or relatives with during the forthcoming holiday season...





Thursday, 1 December 2011

MICROBLOG #1 - I Have Just Enjoyed "Exhibit A"

My name is Stephen Thrower, I'm 47, I update my blog once a month at best, and that's just not friendly. My solution is this: to tell you what I saw last week and to recommend or blast it. Nice and quick. Smash and grab. Blog and run.

This week: Recommend: Exhibit A 
(Yorkshire, 2007, dir: Dom Rotheroe)

I had this in my house for a fortnight before watching it, mainly because of its boring and unhelpful title which manages to conceal a minor masterpiece. Exhibit A is a post-Blair Witch movie that pisses all over such 'reality-cam' junk as Paranormal Activity (in which the word 'activity' is a flagrant breach of the Trades Descriptions Act). Instead of waiting sixty-five minutes for a family camcorder to observe a ghost shutting a cupboard door - whooooh! - how about we watch in gradually mounting despair as that perennial figure of fun the 'naff dad' goes off the rails and does something really really bad...?

Part-financed by Warp Films, this is a terrific and often terrifying film that's the flipside of the comedy of embarrassment. In (brilliant) TV shows like The Office we meet idiots like David Brent, who suffers indignity after indignity for our amusement. Exhibit A depicts the same sort of character, but the aim is not to make us smirk at his social faux pas: instead we cringe as the poor slob comes unglued and commits the most awful crimes.



PS: Don't watch the trailer; it's misleading rubbish that lards music over the images in a dumb and insulting way.